This exhibition is a sampling of my paintings and works on paper done over the past 21 years, but I wouldn't want to call it a retrospective. Too many key works are unavailable at present, and besides, I'm not in retro mode yet. Give me another couple of decades. The earliest work is the watercolor Sunday at Yogi's (1979) and the most recent The Samaqueca (oil on panel, 2000). Looking at the whole body of work, several visual themes--such as highways, the homeless, strip clubs, the ocean--are obvious. From the '70s on my work seems to have a narrative tendency, and much of the narrative material comes from fiction, philosophy, mythology, operas, movies and the history of painting.

So far I haven't said anything that viewers can't see for themselves, and I don't intend to spill my guts about the "inner content" (if any) of my images. This is not a thing an artist should talk much about, in my opinion. It can bias a viewer who might otherwise have seen something in a work that the artist is unaware of. To illustrate what I mean, here are two excerpts from texts about my paintings by very perceptive and knowledgeable critics:
 

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